Republished from my Watching God blog on Patheos.
In Universal Pictures Steve Jobs, we meet a brilliant, flawed protagonist—a man who demanded his gadgets be friendly and intuitive even though he (according to the film) was neither.
Michael Fassbender may well get nominated for an Oscar for his portrayal of Jobs, and it may seem odd that Universal rolled it wide the weekend before Halloween, the same time when frightflicks like The Last Witch Hunter and Paranormal Activity: The Ghost Dimension are trying to scare up some cash.
But I think Steve Jobs might be, curiously, a perfect fit for this spookiest of seasons. I watched 1931′s Frankenstein the night before I saw Steve Jobs, in fact, and I was pretty amazed that the parallels between the film’s two eponymous characters went far beyond the fact that their most famous creations were susceptible to heat.
Both had a bit of a God complex. Dr. Victor Frankenstein—the mad scientist, not the monster—was considered a pretty brilliant guy even before he started stitching body parts together. His old mentor, Dr. Waldman, said as much. But mere brilliance wasn’t enough: He wanted to change the world. And when it looked like his little world-changing experiment worked, he was exultant. “Now I know what it feels like to be God!” he said.
When Steve Jobs prepares to unveil his Macintosh in 1984, he declares it to be one of the greatest achievements of the 20th century—right alongside the end of World War II. But when it looked like the demonstration might go awry, he tells his engineering lackey Andy Hertzfeld (Michael Stuhlbarg) that he must’ve squandered the three weeks to get it right. “The universe was created in a third of that time,” Jobs says.
“Well, someday you’ll have to tell us how you did it,” Hertzfeld said.
Their first products flopped. Both Jobs’ Macintosh and Frankenstein’s monster had trouble talking at first: During the 1984 Mac demonstration, Jobs and Hertzfeld hook up the Macintosh’s “voice” up to a more powerful computer before it could utter its famous “hello.” And the monster … well, he also had to wait for a system upgrade. He never got the hang of speech until The Bride of Frankenstein.
Those products nearly destroyed their creators. Mac was indeed a revolutionary product. But it undersold, nearly broke Apple and eventually gets Jobs fired. But at least Jobs has the solace that the Mac didn’t become sentient and try to kill him in a deserted, crumbling windmill.
Both wanted to improve humanity. Neither Jobs nor Frankenstein really had much patience for human frailty or sensitivities. “The very nature of people is something to overcome,” Jobs insisted. He designed gadgets that were intuitive and friendly—intending them to be extensions of our own selves. And he did it with an eye toward human shortcomings.
Maybe Frankenstein’s creation was also intended to be sort of a human upgrade. It was bigger and stronger, that’s for sure—and like the original Mac, it had a remarkably square frame. I’m sure that the good doctor would argue that only an abnormal brain kept his creation from reaching its true potential.
Both had issues with women. Frankenstein practically ignored his fiancée, Elizabeth, while working on his monster. In fact, he barely deigned to let her into his secret laboratory … even though she was about to get swept off the side of a mountain in a huge lightning storm.
Jobs was likewise focused on the work at hand, shunning his onetime girlfriend Chrisann Brennan (Katherine Waterston) and denying the paternity of his daughter, Lisa (Makenzie Moss) for way too long. Thankfully, both Jobs and Frankenstein patched things up with the most important women in their respective lives—but not before each had to suffer the sting of failure.
Both inspired copycats. Frankenstein was ostensibly through with monster-making when Dr. Pretorius came knocking, hoping to leverage the doctor’s innovations into another, better, prettier creature. As for Jobs’ creation … well, all you have to do is look around. There’s a whole (ahem) galaxy of products designed as iPhone or iPad or iMac “killers”, designed to be better or faster or, at the very least, cheaper than the originals.
In summary, Steve Jobs was, without question, an original thinker—a self-made man, if you will. But Steve Jobs, the movie, seems to owe something to a cinematic mad scientist who took “self-made man” to a whole different level.